The Pawsitive Post in Conversation recently delved into the fascinating world where literary genius meets feline charm, exploring the profound and often intimate relationships between celebrated authors and their beloved cats. Episode 66 featured renowned literary historian and lecturer Susannah Fullerton, author of the acclaimed book “Great Writers and the Cats Who Owned Them,” offering listeners an insightful journey into the lives and inspirations of literary giants through the unique lens of their cherished feline companions. Hosted by Zazie Todd and Kristi Benson, the discussion illuminated how these quiet, often mischievous, creatures have shaped some of the most enduring works in English literature.

The Enduring Bond: Why Cats and Writers are Inseparable

The premise of a special affiliation between writers and cats is not merely anecdotal but rooted in practical and emotional realities. Susannah Fullerton posited that cats are inherently suited to the writer’s solitary profession. Unlike dogs, which require regular walks and more active engagement, cats offer a quiet, undemanding presence, making them ideal companions in a study. Their ability to coexist peacefully within the creative space allows authors to immerse themselves in their craft without constant interruption, yet provides a comforting, sentient presence. Fullerton elaborated on this symbiotic relationship, noting that while cats may occasionally "rouse a sleepy author" primarily for their morning meal, they often serve as silent muses, their antics or serene presence sparking inspiration for poems, novels, short stories, and even personal letters. The occasional "frustration"—a cat walking across a keyboard or settling squarely on a manuscript—becomes part of the shared narrative, a charming disruption rather than a genuine impediment, further cementing the unique dynamic. Fullerton’s book specifically aims to illustrate how a particular cat in an author’s life could directly inspire literary output, alongside offering invaluable love and companionship. This unique form of quiet companionship, devoid of the need for verbal interaction or scheduled outdoor excursions, fosters an environment conducive to deep thought and prolonged concentration, traits essential for the literary pursuit.

Crafting a Literary Menagerie: The Selection Process

Fullerton shared insights into the meticulous process of curating the "Great Writers and the Cats Who Owned Them." The primary challenge lay in identifying authors for whom sufficient information existed regarding a specific cat’s direct inspirational role. She cited the example of T.S. Eliot, famously known for his "Old Possum’s Book of Practical Cats," which later inspired the musical "Cats." Despite his literary connection to felines, finding a singular cat in his personal life that profoundly influenced his work proved difficult. Consequently, Eliot, alongside other figures with less detailed cat narratives, was included in the book’s "little pawses"—brief, pun-intended interchapters offering fascinating tidbits where a full chapter wasn’t warranted. This strategic inclusion allows for a broader scope of fascinating literary-feline connections while maintaining the integrity of the core narrative.

The selection criteria also emphasized diversity across multiple dimensions. Fullerton sought a balance of male and female authors, representing various nationalities including Canada, America, the United Kingdom (England and Scotland), and New Zealand. This geographical spread ensured a rich tapestry of cultural contexts for human-feline interactions, highlighting that the human-cat bond transcends national boundaries. Furthermore, the book features a spectrum of cat breeds, from pedigree felines to everyday tabbies and moggies, demonstrating that inspiration and companionship transcend lineage and social standing. Chronologically, the book spans centuries, beginning with Dr. Samuel Johnson in the 18th century and extending to a contemporary, living author, thus providing a comprehensive historical overview of the writer-cat bond. This deliberate variety not only enriches the narrative but also underscores the universal appeal and influence of cats across different eras and literary traditions, reflecting shifting societal attitudes towards domestic animals.

Iconic Feline Figures: Anecdotes from Literary History

Fullerton’s book is replete with delightful anecdotes that bring these literary cats to life, offering intimate glimpses into the lives of their famous human counterparts. These stories serve not only as charming diversions but also as windows into the personalities and creative processes of the authors themselves.

Hodge, Dr. Samuel Johnson’s Unconventional Companion:
The story of Hodge, Dr. Samuel Johnson’s cat, stands as a testament to an early, unconventional bond between a man and his feline in 18th-century London. During this period, cats often faced societal prejudice, viewed as familiars of witches or agents of the devil, and were frequently subjected to mistreatment. While valued for rodent control, they were rarely welcomed into homes as cherished pets. Dr. Johnson, a towering figure of English letters and the architect of the first comprehensive English dictionary, defied these norms. He acquired Hodge, likely a street cat, and extended to him a level of care and affection unheard of for the time. Johnson would famously procure oysters—then considered the food of the poor—from a local seller specifically for Hodge, a gesture that underscored his deep affection and progressive view of animal welfare. The enduring phrase, "a very fine cat indeed," immortalized by James Boswell in his biography of Johnson, encapsulates the esteem in which Hodge was held. Today, visitors to Dr. Johnson’s House in Gough Square, London, can find a charming, child-height statue of Hodge, seated atop a replica of Johnson’s dictionary, with empty oyster shells beside him—a poignant tribute to this pioneering literary cat whose presence humanized one of England’s most formidable intellects.

Daffy, L.M. Montgomery’s Canadian Muse:
For Canadian literary icon L.M. Montgomery, author of the beloved "Anne of Green Gables" series, cats were not just pets but vital emotional anchors. Her cat, Daffy, was a constant presence during the creation of her seminal work, keeping her warm on cold Canadian mornings as she crafted the tale of the imaginative orphan, Anne Shirley. Montgomery’s life was marked by considerable hardship—early parental loss, a challenging upbringing with strict grandparents, a difficult marriage plagued by her husband’s severe depression, and protracted copyright battles. Throughout these trials, cats provided profound therapeutic support, a fact she frequently documented in her journals, which even contained tufts of cat fur and heartfelt obituaries for her departed felines. Her affection for cats permeated her fiction; heroines like Anne and Emily invariably share this love. The iconic scene where Gilbert Blythe makes his second proposal to Anne Shirley, offering not only marriage but also a cat, unequivocally signals Anne’s acceptance, highlighting the intrinsic value of feline companionship in Montgomery’s world and its portrayal as a symbol of domestic contentment and understanding.

Blitz, Dorothy L. Sayers’ Wartime Survivor:
The tale of Blitz, Dorothy L. Sayers’ cat, offers a compelling glimpse into human-feline relationships amidst historical upheaval. Sayers, the celebrated crime writer and theologian, rescued Blitz as a tiny ginger kitten from a London bomb site during the harrowing days of World War II. The cat’s name, a direct reference to the Blitz, instantly anchors its story in a specific, tumultuous period. Living just outside London, Sayers faced the challenges of wartime rationing, making it difficult to feed her beloved pet. This struggle inspired her moving poem, "War Cat," an apology to Blitz for the inability to provide the luxurious diet the cat deserved, reflecting the broader privations faced by British citizens. Blitz enjoyed a long life, reaching 15 years, and is immortalized alongside Sayers in a statue in Witham, Essex, where the cat is depicted twining around her ankles. During the war, Sayers also found herself inadvertently running "Kittens Unlimited," as friends entrusted their cats to her care, leading to a veritable feline population boom and Sayers’ humorous efforts to rehome the numerous offspring, a testament to her generous spirit and an unintended consequence of wartime displacement.

Foss, Edward Lear’s Beloved Confidante:
Edward Lear, the master of nonsense verse and a highly accomplished artist, found immense solace and inspiration in his cat, Foss. Originally named Aderphos, the cat’s moniker was shortened to the more affectionate "Foss." Lear, a rather lonely figure who never married and suffered from epilepsy, a condition then poorly understood and stigmatized, found in Foss the unwavering companionship he craved. Foss, described as portly, striped, and missing half a tail (the reasons for which are detailed in Fullerton’s book), became a frequent subject of Lear’s delightful caricatures and drawings, providing a visual record of their bond. Lear’s profound attachment to Foss was evident in his letters and his meticulous observation of the cat’s behavior. Their bond was so deep that Lear died merely a couple of months after Foss, having given his beloved feline an elaborate tombstone and funeral—a ceremony far grander than his own modest arrangements, underscoring the cat’s irreplaceable role in his life. Foss’s enduring legacy is such that the cat even has its own Wikipedia entry, a testament to its unique place in literary history as a muse and confidant.

Bob, Charles Dickens’ Unexpected Companion:
Even those not initially inclined towards cats found themselves won over. Charles Dickens, surprisingly, was not a "cat man" by inclination, but his daughter eventually brought a deaf cat named Bob into their lives. Bob developed a peculiar and effective method of gaining Dickens’ attention: when the author was engrossed in reading or writing, Bob would reach out a paw and deliberately snuff out the candle, plunging Dickens into darkness and compelling him to acknowledge his feline companion. This charming anecdote illustrates how even the most resistant individuals could succumb to the unique charms and insistent personalities of cats, highlighting their ability to forge unexpected connections and demand affection.

Ernest Hemingway’s Polydactyl Clan:
Perhaps no writer is more famously associated with a multitude of cats than Ernest Hemingway. At one point, his property in Cuba was home to an astonishing 54 cats, many of them polydactyl (having extra toes), a genetic trait that became a signature of his feline family. Hemingway was a self-proclaimed "cataholic" who knew each cat by name, reflecting a profound personal connection despite their sheer numbers. His profound affection extended into his literary work, most notably with his cat Boise, who featured prominently for 35 pages in his novel "Islands in the Stream," a rare and extensive inclusion of a pet in serious fiction. Hemingway’s famous declaration, "If man could be crossed with the cat, it would improve man, but it would deteriorate the cat," perfectly encapsulates his reverence for felines and his belief in their inherent superiority, a sentiment that resonated with many cat enthusiasts.

Evolving Feline Care and the Human-Animal Bond Through the Centuries

A significant thread woven through Fullerton’s narrative is the historical evolution of cat care and the changing perception of the human-animal bond. In the 18th century, veterinary care was rudimentary or non-existent in many regions. Fullerton highlighted the challenges faced by authors like Robert Southey, whose beloved cat Rumpelstiltskin fell ill with few options for treatment. The first formal veterinary training school, the École Nationale Vétérinaire de Lyon, emerged in France in 1761, but specialized animal medical care took centuries to disseminate widely, particularly to remoter parts of Europe and Britain. This historical context provides a stark contrast to modern pet care, where specialized veterinary services are increasingly accessible. Kristi Benson, one of the podcast hosts, shared a contemporary parallel from her time in the Western Canadian Arctic, where the nearest vet was a 14-hour drive or a flight away, illustrating that even in the modern era, access to specialized care can be a significant challenge, echoing historical difficulties.

Fullerton also explored the origins of common pet care innovations, such as the invention of kitty litter in 1947 by Edward Lowe, and the emergence of the very first books dedicated to cat care, which started appearing more frequently in the 19th century. These details underscore a gradual but profound shift in human attitudes towards cats, moving from viewing them primarily as utilitarian pest controllers to cherished members of the household, a trend that accelerated in the Victorian era with the rise of pet ownership as a leisure activity. This transition wasn’t without its darker chapters; historically, practices like drowning litters of kittens were common, and cats often endured cruel treatment stemming from medieval superstitions that associated them with witches and evil. The book’s historical depth reveals a journey towards greater empathy and improved welfare for felines over the centuries, reflecting broader societal advancements in animal ethics and compassion.

The observation skills of writers, honed by their craft, often led to poignant portrayals of their cats’ lives. Doris Lessing’s beautiful cat, Il Magnifico, who sadly required a front leg amputation, inspired Lessing to write the deeply moving short story, "The Old Age of Il Magnifico." This piece vividly explores the challenges faced by a disabled cat and the profound bond shared between animal and human, offering a tender look at aging and adaptation. Similarly, the anxiety of a missing pet is captured in Mark Twain’s account of his lost cat, Bambino, for whom he offered a $5 reward. The subsequent influx of people, many carrying black cats in hopes of claiming the reward and, perhaps more significantly, catching a glimpse of the famous author, speaks volumes about both the author’s celebrity and the public’s fascination. These narratives collectively demonstrate how cats have not only provided companionship but have also served as powerful catalysts for literary expression, reflecting universal themes of love, loss, resilience, and the intricate dance between humans and the natural world. Fullerton emphasizes that while the book is a delight for "cataholics," its exploration of the joys and challenges of sharing a home with an animal, and the lessons of responsibility it teaches, resonates even with those who are not ardent cat lovers, making it a valuable read for anyone interested in human-animal relationships and social history.

Broader Impact and Future Literary Explorations

"Great Writers and the Cats Who Owned Them" has been met with considerable success, a testament to its compelling subject matter and Fullerton’s engaging narrative style. The book’s publication by the prestigious Bodleian Library in Oxford, known for its beautifully produced volumes, further validates its literary merit and commitment to quality. The positive reception has already paved the way for a new venture: Fullerton announced that she has secured a contract to write a follow-up, "Great

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